Thomas Berger
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""The truth is always made up of little particulars which sound ridiculous when repeated." So says Jack Crabb, the 111-year-old narrator of Thomas Berger's 1964 masterpiece of American fiction, Little Big Man. Berger claimed the Western as serious literature with this savage and epic account of one man's extraordinary double life. After surviving the massacre of his pioneer family, ten-year-old Jack is adopted by an Indian chief who nicknames him...
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The Pulitzer Prize–nominated author of Little Big Man returns with perhaps one of his most imaginative alternate realities yet: a matriarchal society.
Women reign supreme in the not-so-distant future, where Georgie Cornell has no choice but to wear the high heel shoe on the other foot. Swept into the chaotic world of publishing, he is at the mercy of his female bosses, especially if his pencil skirt is an inch...
Women reign supreme in the not-so-distant future, where Georgie Cornell has no choice but to wear the high heel shoe on the other foot. Swept into the chaotic world of publishing, he is at the mercy of his female bosses, especially if his pencil skirt is an inch...
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A bitterly comic novel of middle-aged angst and middle-class American life in the 1960s, by the acclaimed author of Little Big Man
It is the late sixties in suburbia, and Carlo Reinhart’s life is a mess. He’s fat, broke, middle aged, and unemployed. His anarchist son hates him, and his wife has taken a younger lover and thrown Carlo out of the house. In fact, the only one who doesn’t consider him contemptible...
It is the late sixties in suburbia, and Carlo Reinhart’s life is a mess. He’s fat, broke, middle aged, and unemployed. His anarchist son hates him, and his wife has taken a younger lover and thrown Carlo out of the house. In fact, the only one who doesn’t consider him contemptible...
4) The Feud
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Berger chronicles small-town America of the 1930s in his narrative of the feud between the Beelers of Hornbeck and the Bullards of Milville.
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Meeting Evil tells an adrenaline-pumped, genuinely frightening tale of malevolence that swerves swiftly and irrevocably to a catastrophic climax.
John Felton meets evil late one Monday morning when the doorbell rings. Standing on the front porch is a stranger. He wears expensive running shoes and a baseball cap and calls himself Richie. He tells John his car has stalled and asks for help. An altercation at the gas station leads to a shocking
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